Showing posts with label Jr.. Show all posts
Showing posts with label Jr.. Show all posts

Friday, July 14, 2023

West Hollywood Bookshelf

Forget the staged photos in an Airbnb listing. They won't tell you as much about your host as his bookshelf.  Although in Darren's case, I suspect they're the only original items from a condo he flipped for vacation rental purposes.  The first three titles suggest the former owner was a gay man even older than me with a literary bent. I hadn't known that Ernest Hemingway posthumously published a novel about androgyny until I googled The Garden of Eden.


Although pre-fabricated art decorated every wall of Darren's spacious two-bedroom, two-bath apartment in West Hollywood, it completely lacked personality.


Along with ice trays and a pitcher.  I had to fill all the glasses in the kitchen with my tea.


The farther we got away from Santa Monica Boulevard, the prettier the neighborhood became.  I had hoped we'd be staying in a place as charming as this.


The neighborhood has certainly changed since my visits in the late 70s including one with David when we stayed at the infamous Tropicana Motel.  We barhopped (I'll never forget a sign posted on the door of the Blue Parrot that said "Be 35 or Be Gone"!) and cruised Griffith Park for hours in my father's VW Scirocco.  It's almost impossible to park there any longer.  Tourists and school buses mob the observatory made famous in Rebel Without A Cause.  I suspect today's visitors are more interested in astronomy than James Dean or hooking up.


I joined Thom, who had been staying at a hotel in downtown Los Angeles where he had been fitting dresses for a week.  We dined the first night at Frankie's on Melrose, a culinary crypt.  At least the pizza was tasty.


Although the place had a Rat Pack vibe, the waiter told us it had first opened in the late 80s.  



Wednesday, August 31, 2022

The Prophets (4*)

I won't lie:  the pulp fiction aspects of Robert Jones, Jr.'s lyrically written debut novel--which frequently veer into Mandingo territory--kept me a lot more engaged than the sermonizing voice he employs to comment on the characters' awful circumstances. Nevertheless, he illuminates enslavement and racism more empathically than ever before and not just because the protagonists of his book are a pair of hunky black lovers.  For example, just imagine how it must feel to look into the eyes of "massa" first time when both of you know but have never acknowledge that he is your birth father.

Jones uses "toubab" more frequently than the N word, as you might expect in a story about plantation life told by black people.  With Central and West African language origins, it may derive from a word meaning "to convert," a nod to the mission of white Christians who colonized that continent.  This reinforces the central irony of the novel:  the enslaved peoples of "Empty," the plantation where the novel is set, tolerate the love between men until one of their number persuades "massa" to preach the gospel to his brethren.  Jones bolsters this "before the fall" narrative with unconvincing flashbacks to a "paradise lost" kingdom in which women rule and subjects can freely choose their gender once they reach a certain age.  

More successfully, he portrays the strength of a matriarchal society that has been forced to develop coping strategies that no doubt continue to serve black women well.  In fact, if I'm reading Jones correctly (and I'm woefully ignorant of Christian theology) he commits the ultimate act of cultural appropriation by turning a central character into Mary and the penultimate chapter into a parable of the Resurrection.

Right on!