| Photo by Jeanloup Sieff (1971) |
Two models obsessed me as a teenager paging through Life, Look and Time magazines, all of which my mother subscribed to at one time or another: even in black and white Twiggy manages to embody Carnaby Street and the Swingin' Sixties;
| Twiggy (YSL haute couture Spring/Summer 1967) by Bert Stern |
and Veruschka, who looks as fierce as they come. Audrey was thrilled when I said she reminded me of the German-born Amazon when we motorcycled to the Hamptons one summer afternoon and she never complained once. Veruschka and the Italian photographer flew to the Central African Republic (liberated from French rule in 1960) to get his shot for Paris Vogue. Colonialism hadn’t yet gone out of style. Melania still thinks it hasn't.
| Veruschka (YSL rive gauche Spring/Summer 1968) by Franco Rubartelli |
There’s something almost sphinx-like about the couturier in this dewy portrait by Irving Penn. Although only 21 at the time, Saint Laurent, born in Algeria, was already head designer at the House of Dior. He hardly looks as if he’s about to take the world by storm.
It didn't take long for him to do just that, though. Such a phenomenal talent. Andy has never looked sexier than he does napping in this YSL trench coat.
| Andy Warhol (YSL rive gauche homme Fall/Winter 1974) by Helmut Newton |
Too bad he didn't return the favor. Yves without his glasses is like Andy without his wig!
| 1972 |
Saint Laurent instinctually knew how much artful, erotic photography could enhance his brand. He and Helmut Newton had a long working relationship. Several muses--some celebrity, some not--also inspired him. Deneuve looks more Veronica Lake than Mod in this shot.
| Catherine Deneuve (YSL haute couture Fall/Winter 1966) by Helmut Newton |
Artistic inspiration could run both ways, too. At the age of 82, sporting photographer Jacques Henri Lartigue used flash light for the first time to capture Saint Laurent's billowy creation on Deneuve in a fashion studio.
Loulou e la Falaise described herself as a "hard working" muse. She designed jewelry and accessories for YSL.
Anh Duong modeld for Saint Laurent long before she became the muse of Dolce and Gabana. A 2024 exhibit at the International Center of Photography introduced me to the work of David Seidner, but I don’t remember anything as extraordinary as this shot.
Wow. Just wow! Peter Lindbergh, the German photographer Anna Wintour hired to shoot her first cover for Vogue, is better known for his 1989 grouping of Linda Evangelista, Naomi Campbell, Tatjana Patitz, Cindy Crawford, and Christy Turlington before they became "super models," but this later one has a lot more dramatic flair.
I mostly associate Campbell with phone throwing-tantrums. No more. Kudos to the anonymous hair stylist.
| YSL haute couture Fall/Winter 1996 by Paolo Roversi |
Carla Bruni was wearing white even before she became the corrupt French prime minister’s bride.
| YSL haute couture Spring/Summer 1988 by Jean-Marie Périer |
Jerry Hall really is living proof that modeling really is a ladder to celebrity husbandry. Now there's a tell-all autobiography I'd love to read. Mick was her hubby when this photo was taken.
| YSL rive gauche Spring/Summer 1980 by Jean-luce Huré |
Curators of "Yves Saint Laurent and Photography" at the International Center of Photography make no mention of his destructive infatuation with Karl Lagerfeld’s boy toy but they do pay respect to the man behind the scenes whose unwavering support and business savvy made an enormous contribution to the designer’s success. Pierre Bergé, seen here when the YSL atelier was being turned into a foundation, had a talent for staying in the background. I visited their Moroccan retreat. Jardin Majorelle is as beautiful as you would expect.



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