Here's Tom standing in front a bank of photos by Sabina Sarnitz (Heller's wife) documenting what Heller called Luna Luna (the word means "moon" in Latin) in the summer of 1987. We were about to turn 34, not much older than several of the most famous artists whose works have increased exponentially in value.
Plans for Luna Luna to travel to Amsterdam and San Diego fell through and the art amusement park was marooned and forgotten on a Texas ranch, packed into 40 shipping crates. Drake and other private investors "rescued" it two years ago.
Los Angeles residents were the first art lovers in 35 years to experience the reincarnation. I got so excited when I read about it in the Times that I nearly flew to the West Coast. Fortunately, now most of the attractions are housed at The Shed in Hudson Yards. Tom led the way inside the Roy Lichtenstein pavilion. He loved the Philip Glass soundtrack.
Keith Haring's merry-go-round looks almost as good as new! Like several of the attractions, it revolves periodically but can't be ridden.
Luna Luna had schoolboy elements in its original incarnation. Cartoonist Manfred Deix painted the a facade for the "Palace of Winds" which featured amplified "performances" of farting classical musicians.
If visitors to Luna Luna in Hamburg needed to use the toilet, they entered through the twin turds of the "Crap Chancellery," which actually emitted steam, hidden inside the pillars. Daniel Spoerri, whose father was murdered by the Nazis, made the connection between food and waste while also lampooning the fascist architecture of Albert Speer. In a macabre twist, Luna Luna actually stood on the same spot where the city's Jews were forcibly assembled prior to their deportation to Auschwitz and other concentration camps.
Deix included his own caricature in the irreverent moon concept he submitted to Heller.
Until I saw this moon concept, I had completely forgotten about Red Grooms.
One wall describes the meticulous process of opening the shipping containers in detail. Art conservators will be horrified although desert wasps clearly enjoyed some eye-popping accommodations.
I wonder how many venues have exhibition space high enough to accommodate Luna Luna's attractions? Kenny Scharf's swinging chair ride, Jean Michel Basquiat's ferris wheel, Sonia Delaunay's entrance and David Hockney's "enchanted tree" are pictured in this photo, left to right.
There's a play area for children
. . . and periodic performances when all the rides start moving.
Kenny Scharf's often goofy work is instantly recognizable.
David Hockney recycled sets from an opera for his "enchanted tree." Filled only with the music of Johan and Joseph Strauss, I found its emptiness mystifying.
Tom had a great time in "Dalidom," the geodesic dome created by you know who.
Arik Brauer died shortly before his surrealistic carousel was resurrected in 2022. Many of the other artists are long gone.
Here's the Luna Luna logo again, in lights. At first, I didn't even notice the smiling moons.
Free tickets to an exhibit at The Shed lured me downtown on a steamy Sunday afternoon. The amount of new construction in midtown truly astonishes--so many reflective glass towers on the west side!
The once "futuristic" entrance to the Lincoln Tunnel (opened 1937) adds a welcome contrast.
Hudson Yards keeps growing and growing.
"Open Call" commissioned works from 27 diverse artists, most of them a lot younger than me. The exhibition occupied two galleries, not so different from enormous garages.
This multi-media work, the most compelling in my opinion, re-imagines how Hart Island, now New York City's potter's field, might have become the "Negro Coney Island."
But I'm sorry to say, both the Shed and the Vessel offered more aesthetic stimulation than "Open Call" for this old fart.
And I loved these figures.
I really, really hope that Eric Adams can help reduce homelessness. Dozens of these poor people sat or dozed on the steps of the old post office, now the site of the glorious new Moynihan Train Hall. So sad!
Meanwhile, crowds gathered outside restaurants and bars with outdoor seating to watch Italy beat England for the European Cup.
Remember, says PETA: leather is someone's skin. Wear vegan.
I never noticed this entrance to Penn Station before.
Subway station mosaic tiles are another reason to love New York!