The mammoth space near the entrance instantly imbues a sense of wonder.
The curators have organized the diverse collection by themes that don't require a lot of reading to absorb.
Some of the works I liked bests were by unfamiliar names.
Conceptual art doesn't usually do it for me but the color red unites these photos. Care to guess the nationality of the artist?
The Church of St. John the Divine exhibited Jane Alexander's mysterious critters several years ago. They looked slightly less malevolent at the Tate divorced from the religious context.
The permanent exhibitions are free, a policy that truly encourages art appreciation.
This gallery juxtaposed different styles of abstract painting.
Seeing Andy Warhol's electric chair silkscreens for the first time was treat. Natural light flooded the room like current.
The Tate Modern also gave me newfound appreciation for Louise Bourgeois. She lived to be nearly 100. Her reputation probably would be bigger if she were male.
The Bourgeois gallery also afforded an opportunity to insert myself.
More London:
East End (2022)
The Way of All Flesh (2022)
Crowds (2022)
Liberty (2022)
How Much Would You Pay for a Shoehorn? (2022)
Must-See Plunder (2022)
Embankment Stroll (2022)
The Ladies Who Lunch (Oblix @ the Shard) (2022)
Slow Day (2022)
"Workers Of All Lands Unite" (2022)
Hampstead Heath (2022)
Green Card (2022)
The Ladies Who Lunch (The Wolseley) (2022)
Fashioning Masculinities: The Art of Menswear (2022)
All Is Vanity (2022)
Arrival in London (2022)
The Way of All Flesh (2022)
Crowds (2022)
Liberty (2022)
How Much Would You Pay for a Shoehorn? (2022)
Must-See Plunder (2022)
Embankment Stroll (2022)
The Ladies Who Lunch (Oblix @ the Shard) (2022)
Slow Day (2022)
"Workers Of All Lands Unite" (2022)
Hampstead Heath (2022)
Green Card (2022)
The Ladies Who Lunch (The Wolseley) (2022)
Fashioning Masculinities: The Art of Menswear (2022)
All Is Vanity (2022)
Arrival in London (2022)
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